A recent piece of short fiction, The Air is Still, has just won the Litro Magazine Environmental Disaster competition, and is published online at Litro.
I’d like to welcome Sarah Hilary to the blog today. Her debut novel, Someone Else’s Skin, will be published on Thursday by Headline. It has already received some great reviews and has been heralded as “one of the debut novels of next year, if not THE debut novel.” I wanted to find out more about Sarah, her path to publication, and the inspiration behind her work. Thank you, Sarah, for today’s interview. We wish you all the best for the imminent release of your book!
What drew you to crime fiction and how have you been influenced by other authors or film and television?
SH: I always loved Sherlock Holmes, and I adore TV crime. Key influences would be Silence of the Lambs (film and book), Fred Vargas, Patricia Highsmith, TV shows like The Bridge, The Mentalist, Peaky Blinders… All these things keep me on my toes and inspire me to keep exploring the different angles of crime.
How does your work as a copywriter and editor work alongside fiction writing? Does it help or hinder your creative process?
SH: It helps, I think. I have to produce some pretty taut prose at work, which is never a bad thing in a fiction writer. And it’s good to have time away from stories, to stay in touch with the real world.
What do you think helps to make characters likeable or believable to the reader, and how important is it?
SH: It’s all about empathy. I don’t believe a character needs to be likeable so much as recognisable; he or she needs to touch a nerve in the reader. One reader said that she found Marnie Rome irritating, and that this was a compliment, because it meant that Marnie was ‘real’. I get bored reading about heroes and villains. I’m fascinated by the human qualities between these two extremes. That’s where the interest lies for me.
Where do you write and why?
SH:In cafes, when I can. I like the white noise, and the sense of being in the world and outside it, at the same time.
What is your process and how do you plan?
SH: I keep notebooks and mark down the twists, for the story and for the characters. Other than that, I don’t do much planning. I used to try, but it ended up killing my interest in the story. So now I take a deep breath and dive in…
Your debut novel, Someone Else’s Skin will be released in just a few days. Can you tell us about your journey to publication?
SH: Long and rocky. I was lucky enough to get noticed and encouraged by the agent I’d set my heart on (Jane Gregory) who gave me so much encouragement each time she rejected my early manuscripts. I knew that if I could write a book she loved then I’d make it. Stamina was a very big part of it but, boy, did it pay off.
Thank you, Sarah. Finally, a lighter question for you! What do you do with your time when you are not writing?
SH: Watch TV with my daughter. Read. Count my blessings.
Sarah Hilary has worked as a bookseller, and with the Royal Navy. Her debut novel, Someone Else’s Skin, will be published in 2014 by Headline in the UK, Penguin in the US, and in six other countries worldwide. A second book in the series will be published a year later. Set in London, both books feature DI Marnie Rome, a woman with a tragic past and a unique insight into domestic violence. www.sarah-crawl-space.blogspot.co.uk/
I have been interviewed over on Ruth Hunt’s Writing Blog today:
Take a look and leave a comment. I would recommend reading some of her recent interviews, and she will also be interviewing editors and other professionals in the publishing industry.
I enjoy spending time in galleries and, whether it is a collection of paintings, sculptures or photography, I can while away a few hours looking at art. Photography stimulates ideas and sparks my creativity perhaps more than any other art form. I used to spend a lot of time at the Portrait Gallery in London and Vienna has an equally impressive collection of galleries. I was thankful to find that the World Press Photo Awards made a stop here each year, so I haven’t missed out!
I particularly like the work of David Bailey, Mario Testino and Annie Leibovitz. This week I discovered a portrait photographer who was new to me: Michel Comte. Based in Zurich, Comte is a trained art restorer whose first photography contract was with Karl Lagerfeld. He has worked for Vanity Fair, Vogue, Armani, Ferrari, Jaguar and Mercedes Benz, to name a few, and has photographed Miles Davis, Jeremy Irons, Mike Tyson and Michael Schumacher, with whom he became good friends.
He is one of the few professional photographers I know to have photographed both for international advertising companies and for documentaries covering war zones. Comte has increasingly moved towards a more reportage and documentary style of photography, and has travelled to unstable areas in Iraq, Afghanistan, Bosnia, Sudan and Cambodia. If you are interested in his work, the video below shares some of his thoughts on what makes a good photograph.
So, what does this have to do with writing, I hear you thinking? Comte got me thinking about the idea of how much of a person’s soul and character can be captured in a split second, and how so much of what you – the viewer – see forms an impression of who they are as a person. Very quickly you form a judgement from the eyes, the body language, the clothing, the expression and the feel of the picture. This is what Comte says, ‘the person projects.’
As a writer we have the exciting and difficult job of ‘capturing’ each character almost as a snapshot, and portraying who they are through their movements, body language and expressions. Writers have the advantage of using dialogue, actions and the responses of other characters, but the essence of character description comes down to much of what is captured in a moment with a lens. Comte talks about Catherine Deneuve, and the way that a normally confident woman shows a moment of unusual vulnerability in the his photographs. These are the moments which, as a writer, need to be drawn out and put down on the page.
Have a look at the video, if you haven’t already, and think about what strikes you from each image. Think about how you would describe the person and why. Ask yourself what it is about one person that stands out and makes them unique or memorable. It might be a look of vulnerability or mystery, it could be the stance or the eye contact. Sometimes what people wear or how they stand and move, dictates your response to them as a person.
What do you think about character description? How has art or other media inspired your work?
There are books which stay with you for months and years beyond the final page; there are books which draw you in to the point where you cease to feel time; there are books which transport you to a different time and place, yet keep you rooted fully here in the present. This book achieves all of these with a masterful use of imagery and language. This is one of the most powerful books I have read, partly because of its timeless themes and wholly for its ability to get inside the mind of its main character and his daughter, and of course for the delicate insight into human nature, with its brutality and desires. I was utterly captivated.
Set in post-apartheid South Africa, J. M. Coetzee’s searing novel tells the story of David Lurie, a twice divorced, 52-year-old professor of communications and Romantic Poetry at Cape Technical University. He has an impulsive affair with one of his students, Melanie Isaacs. The affair sours and he is denounced and summoned before a committee of inquiry. Willing to admit his guilt, but refusing to yield to pressure to repent publicly, he resigns and retreats to his daughter Lucy’s isolated smallholding. For a time, his daughter’s influence and the natural rhythms of the farm promise to harmonise his discordant life. But the balance of power in the country is shifting. He and Lucy become victims of a savage and disturbing attack which brings into relief all the difficulties in their relationship.
Among many accolades for the book are the Man Booker Prize (1999),
Coetzee delves into the darkness of the human condition, making this an uncomfortable but compelling read. His descriptions are often harsh and gritty, but somehow satisfying: ’The skull, followed by the temperament: the two hardest parts of the body.’ His insight into the mind is beautifully reflected in sentences such as this: ‘His own opinion, which he does not air, is that the origin of speech like in song, and the origins of song in the need to fill out with sound the overlarge and rather empty human soul.’
I will hold on to my battered copy, treasure it, reread it, and enjoy the fact that I have finally managed to read it, although late in the game. Have you read it? What did you think? I’d like to hear your thoughts.
I have often wondered what it is about certain books that resonates with the reader. There are certain books that, no matter how much time passes, still hold a place in your mind – books that stand out as sharing something powerful, books that heal, books that tap into a fear or a passion. What is it that makes some of the books we read stay with us?
And so it is with art, music, and many other forms of creativity.
I came across this fantastic article and talk at brainpickings.com, and if you haven’t read, it I would highly recommend a look. The brain child of Maria Popova, who has written for Wired UK, The New York Times, Harvard’s Nieman Journalism Lab, and The Atlantic, among others, the site delves into art, design, science, technology, philosophy, history, politics, psychology, sociology, ecology, anthropology, and more. It never fails to come up with interesting and creative articles. This one is too good to miss. In the video below, British philosopher Alain de Botton expresses a need to understand Art and its psychological impact on our lives.
He focuses on the the seven psychological functions of art, all of which I think can be applied to books and reading:
Since both memory and art are as much about what is being left out as about what is being spotlighted, de Botton argues that art offers an antidote to this unease. With the written word, much of its power also lies in what is not said, what is left to the reader to fill in and imbue.
Both art and the written word present a form of hope, however dark or ‘pretty’, they inspire and give us a form of hope that can become lost in everyday life. “Cheerfulness,” de Botton tells us, “is an achievement, and hope is something to celebrate. If optimism is important, it’s because many outcomes are determined by how much of it we bring to the task. It is an important ingredient of success.
Sorrow in art and in books reminds us of the legitimate place for negative emotions and for sorrow in life. It helps to process pain and to feel less alone in our suffering, when times are hard.
Art can help us to balance our psychological states, relationships and working routines. “We might, for example, tend to be too complacent, or too insecure; too trusting, or too suspicious; too serious, or too light-hearted. Art can put us in touch with concentrated doses of our missing dispositions,” according to de Botton. We are sometimes drawn to books that differ greatly from our lives, and the knowledge or emotion we gain from reading a particular work can fill in a gap in our knowledge or feelings about life. A work of art or a book can portray a virtue we are missing and restore a form of balance to our lives.
Much of what is mere intuition in our lives can be opened up to us through a painting or a story, as they delve into the depths of the soul. De Botton proposes that, “from time to time, we encounter works of art that seem to latch on to something we have felt but never recognized clearly before. Alexander Pope identified a central function of poetry as taking thoughts we experience half-formed and giving them clear expression: ‘what was often thought, but ne’er so well expressed.’ ”
Many forms of art widen our horizons. Paintings and books both take us to places we my otherwise never venture into, helping us to grow and develop. I can think of several books that have taught me much about the heart of human emotion and of situations which I have never encountered. The writer can take you into the mind of a person experiencing something you haven’t met in your own life and a painting or a photograph, in turn can help us to connect and to grow.
In the busyness of our lives, we so often miss the small details, the expressions on a child’s face, the light catching a new bud, a word unspoken, a colour, a scent, a sound. We rush through our lives and often fail to appreciate what we see. The artist and the writer can draw us into a specific scene and dissect life in a way that we may miss.
If you are interested in finding out more about Alain de Botton, you can find him on the website and on twitter. His new book, Art as Therapy, is one of the best art books of 2013. He founded the lecture series The School of Life.
The scent of cinnamon and spices fills the air, people mill around the stalls clutching their mugs of punch and crepes or baked potatoes. Hats cover glistening faces and the atmosphere is seasonal and filled with anticipation. Lights catch the spinning decorations and fir trees line the entrances. The Christmas markets in Vienna began as early as 1294. Also known as Christkindlmarkt or Weihnachtsmarkt, the markets originated in Germany, Austria, Italy and France. The history of Christmas markets goes back to the Late Middle Ages in the German-speaking part of Europe. The streets of Vienna are lined with huts from as early as mid November and sell punch, gluhwein (hot mulled wine with a shot of brandy), glass and ceramic Christmas decorations, traditional cribs and baked delights, such as Lebkuchen and Magenbrot (both types of soft gingerbread). There are puppet shows for the young and brass bands and carols for the rest of the audience.
Starting in 1997 Frankfurt Christmas Markets were established with support from Frankfurt in Birmingham, Edinburgh, Leeds and Manchester in Britain. A market began in Lincoln in 1982, and other large Christmas markets have been held in England in Bath (since 2000) and Liverpool (since 2006). German immigrants also brought the Christmas market celebrations to parts of the US.
All that’s left to say is Best Wishes for the Christmas Season and a very Happy New Year to you all.