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The Influence of Film on Writing

The impact of art and film on my writing is, in part, due to the fact that I am a visual person, and when I write I imagine every scene as a film shot or a photographic image. Creativity fuels ideas and triggers thoughts which help me to write. See posts on Writing, Art and Outlining and follow the links at the end of this post. Some of my free time (which, as is the case for many of you, is limited)  is spent in galleries or watching films. I love the big screen effect and recently enjoyed The Great Gatsby in 3D, but I also regularly download films from iTunes to watch when I can.  I used to go to as many exhibitions as I could in London and in Vienna I go to both photographic and art exhibitions from time to time.

I wanted to write about the influence of film on writing because I believe it is important to look at mediums other than books, which affect the way we think and develop ideas. I have a Pinterest board with my music and film influences if you are interested but I wanted to touch on two films, in particular, that have had a lasting impact on me, both of which cover themes that now run through much of my work: The Lives of Others and Rabbit-proof Fence.

The Lives of Others:

This film is a beautifully crafted story written by a debut German filmmaker set in 1984 East Germany. Released in March 2006, it garnered a record breaking 11 award nominations, including a Golden Globe nomination for Best Foreign Language Film. The plot revolves round the monitoring of East Berlin by secret agents during the communist era of the Eastern Bloc. Although fiction, it is a chilling account of the intricacies of spy techniques used at the time and the destruction of trust and relationships. I watched this whilst writing about the effects of communism on the Czech Republic in my debut novel. The film gave me the impetus to keep going and helped me to create the sense of distrust and destruction within every day lives and relationships. It is a film that will stay with me for a long time to come. Its power lies in the detail and the clever plot twist towards the end. It leaves you with a sense of hope that, despite dire human circumstances, there is an inherent good to be found in ordinary people.

Rabbit-proof Fence:

This film is set in 1931 and is based on the true story of an author’s mother in the book, Follow the Rabbit-proof Fence, covering events of  ‘the forgotten generation’ of Aboriginal children in Australia. Released in 2002, the film follows three girls who have been ripped apart from their mother by authorities and taken to the Moor River Native Settlement. They escape and walk for nine weeks along 1,500 miles of the rabbit-proof fence, the longest in the world, to return to their community in Jigalong. A tracker is sent after them and tension runs high as they try to cover their tracks and throw the tracker off scent. The impact of this film lies in the separation of the children from their families and the injustice of their removal. What struck me was the endurance and tenacity of the children, their ability to remain untraced and to keep going as they trek through some of the most barren landscape. Peter Gabriel’s soundtrack adds to the impact and the heart-rending scenes along the way. I have added the long and the short trailers. The longer trailer is much better, but if you are pressed for time at least watch the second shorter one. It really is one not to be missed.

Both of these films, and many more, have influenced my writing in ways that are both seen and unseen. Themes of dislocation, injustice and separation run through the films and through many of my short stories, as well as the novel and my current work in progress. The impact of film on your writing, if you allow it, can be immense, giving you new perspectives on themes, plot, characters and, at a deeper level, on the difficulties in the lives of people in different situations, highlighting what the human spirit can achieve to overcome adversity. That, I believe, is the very essence of a good story. Both of these films are based on true stories or historical situations, but films of all genres can influence your style of writing and your thought processes.

Here are a few links to articles I have written that have been inspired by art, music or film:

Argo: What We Can Learn From Film About Not Overwriting

5 Top Tips for Finding Inspiration

What Do Authors Have in Common with Orchestra Conductors?

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The Best Characters Are Broken

Broken Glass

‘The best characters are broken.’

I came across this quote yesterday and it has stayed with me. I started to think about why this is the case and how the reader identifies with broken characters. The quote was a little nugget in a much longer article by writer Faith Hunter. She writes in the fantasy/thriller genre but this concept travels across all genres of fiction and, I should add, non-fiction.

Why? 

Psychologists suggest there is a part in many of us that is broken and often hidden from the world, a part of us which we are afraid to reveal for fear of other people’s reactions. As children we have no qualms about crying or screaming if something is wrong, or throwing ourselves onto the floor and lying prostrate with fists pounding the carpet. Anyone seen this? Yes, well. Somewhere along the line, though, we are told to temper our responses with phrases like –  ‘don’t cry,’ ‘try to behave,’ ‘big girls/boys don’t shout.’

While this helps to create a society which is relatively restrained (most of the time), it also teaches us to suppress our fears or pain. It tells us that emotions should be dealt with quietly and privately, and not in public. It pushes us into corners where we have to wrestle and fight against feelings of fear, inadequacy, rejection, pain and even phobias. It’s not unlike snake charming gone awry. These are just a few of the murky areas of our lives which we have been taught to just sit on and ignore, in the hope that they will just vanish.

Why do readers need this in a story?

Why do we read books at all? For a vast majority it is a means of escape, a way of entering into an imaginary world where the rules have changed and events are happening to other people, events which stir up emotions in the reader and trigger memories of their own fears. We need to feel that we are not alone and books can provide an intense range of emotions in the reader. The level of which is down to the craftsmanship of the writer.

In a good novel we are taken on a journey with a roller coaster of emotions which vary in intensity throughout the pages. The journey can be frightening and it can be comforting, it call tell us that our fears are universal, it can navigate us through the choppy waters of disbelief, it can heal the deeper parts of our soul and can remind us that all of humanity lives with these bundles of hidden thoughts, and all in the safety and privacy of a collection of words, neatly bound in a cover without us having to leave the house or to communicate these fears.

How can we find the ideas?

As writers we have fears which need to be exploited to form a convincing plot, fears which will leave the reader turning page after page. Some of these fears begin in childhood, others might be more recent, but they are there and they need to be dug up, excavated and displayed in the pages of your books. Readers connect with writers who artfully pull at these strings – strings of challenge, of hopelessness, of a fear of change. Whatever the issues with your key characters, you need to delve into the murky waters surrounding an event and pull out the rawness of the emotions.

If there is no tension or emotion in your story it won’t fly.

Open up the corridors of your inner world and pull out all that lurks in the darkness. You will help your readers to relate to the characters and bring a believable plot to life.