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#bookaday Have more than one copy: The Lighthouse

lighthouse

 

I have two paperback copies and a kindle download. This gives you an idea of how much I enjoyed it. The doubling up of the paperbacks is down to a joyful discounted purchase of the Booker shortlisted books  in 2012. I have yet to read Wolf Hall.

The lighthouse caught, and held, my attention partly because of its sadness and for the emptiness of the main character. His life has fallen apart around him and he sets out on a journey, a walking trip to Germany. It is a journey that appears to mirror his own sense of a loss of direction. The abandonment of his mother, and the disappointment of his ex-wife and father, garner sympathy from the reader through Moore’s cleverly crafted narrative. A chilling and suspenseful read. So much emotion is conveyed through very scant explanation.

I have subsequently read her more recent short story collection, The Pre-War House and Other Stories. I reviewed the collection in previous post.

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Book Review: The Pre-War House and Other Stories

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I have eagerly awaited the publication of Alison Moore’s debut collection, The Pre-War House and Other Stories. As regular blog readers know, I am an advocate for short fiction and I read and write as much of it as time allows. It’s a real joy to be able to review this collection of short stories.  I was kindly given an advanced copy by Salt Publishing, for which I am very grateful. The Lighthouse, Moore’s debut novel, was shortlisted for the Man Booker Prize in 2012 and I read it in one sitting. I hoped for the same emotional tension, her attention to detail, and a surprising climax in her short stories, and this collection did not disappoint.

The short stories in Pre-War House are drawn from a selection of magazine and anthology publications over a period of twelve years, alongside new and recently published work. Moore’s stories have been shortlisted for more than a dozen different awards (see below) including the Frank O’Connor International Short Story Award 2013 for this collection.

The stories are evocative and often sinister, honing in on the details of everyday life with extraordinary insight into human nature and the many fears, often unspoken. Moore has a great sense of control over her prose, her language is understated and therein lies the power of her writing. She uses words which evoke a sense danger, of loss or unease.

I had previously read When the Door Closed, It Was Dark, and reading it again provided the same sense of threat and menace through the tightly written sentences as they wound their way towards an uneasy ending. There is something inherently satisfying in reading a story of this quality which makes you catch your breath as you turn the pages.

Overnight Stop left me gripping my seat as I read in disbelief. The plot lends itself to a novel length prose and this is no mean feat for a short story. This piece is a perfect example of Moore’s ability to play with your emotions and draw you in to the scene with frightening reality.

Seclusion lulls you into a false sense of security before packing a punch towards the end. The insight into one life is portrayed with telescopic accuracy.

Sleeping Under the Stars brings in details of Stargazy Pie, Liqourice laces and kirby grips with a layered story of the difficulties of fractured families. The ‘goosepimpled arms’ give a sense of foreboding, and words such as ‘queezy’ and ‘sickening’ provide a parallel for the emotional distress involved in the story.

Many of the themes centre around family, relationships, loss, and uncertainty. Some of the stories create a sense of claustrophobia as the characters become trapped in situations beyond their control. Each piece has its own unique style but the thread weaving through the collection is an intangible sense of anticipation. It is a delicious read and, having read some of the stories a few times, it is something I will keep going back to. A remarkable debut collection which comes highly recommended.

‘Overnight Stop’ (The Lampeter Review issue 7)
‘Sleeping Under the Stars’ (The Nottingham Short Story Anthology 2012)
‘A Small Window’ (The Warwick Review vol.6 no.4)
‘Jetsam’ (Ambit issue 211)
‘Seclusion’ (Paraxis volume 4)’If There’s Anything Left’ (The Yellow Room)
‘It Has Happened Before’ (Shadows & Tall Trees issue 4)
‘Trees in the Tarmac’ (The New Writer issue 112)
‘Sometimes You Think You Are Alone’ (The Screaming Book of Horror, 2012)
‘Small Animals’ (Nightjar Press, 2012)
‘The Yacht Man’ (The New Writer issue 111)
‘The Smell of the Slaughterhouse’ (The New Writer issue 111; Best British Short Stories 2013)
‘Glory Hole’ (The Lightship Anthology: 1)
‘The Egg’ (Murmurations: An Anthology of Uncanny Stories About Birds, 2011)
‘When the Door Closed, It Was Dark’ (Nightjar Press, 2010; Best British Short Stories 2011)
‘The Pre-War House’ (The New Writer issue 103)
‘Static’ (Manchester Fiction Prize 2009)
‘Monsoon Puddles’ (Quality Women’s Fiction issue 43)
‘Helicopter Jean’ (The New Writer issue 53)
‘Wink, Wink’ (Creative Writers’ Network magazine)
‘Humming and Pinging’ (Marches Literary Prize anthology 2000)